Black Fish the Book

Black Fish

How to fish, and stories of the wata, kin & community

A book about fishing. And about what the wata holds.

Join We Are Black Fish Community
Black Fish audiobook cover

Hear the opening of Black Fish

Wata – the way it feels escaping the mouth – is more like a prayer.
— Speech Debelle, Black Fish

Speech Debelle

Speech Debelle is a South London author, voice artist and angler. She wrote Black Fish, co-founded the community We Are Black Fish, and is the husky, lyrical brand voice for eBay. She won the 2009 Mercury Prize.

About Speech →

The book

The book

Black Fish is part practical guide, part memoir, part conversation with seasoned anglers. It follows how our peoples have moved across water, fished it, survived it and been pushed away from it, and asks what it means to return.

We Are Black Fish Community

From the cities to the seas.

People fishing together beside sunlit water

Hook Up

We Are Black Fish Community

A UK fishing community bringing people together at the British coast to fish, cook, eat and talk, and growing into a BIPOC voice for the British coast.

We Are Black Fish circle logo

Hook Ups

Our monthly gatherings, and the heart of everything. We fish, cook, eat and talk together, in a space centred on Black and Global Majority people.

Coastal knowledge

Sustainable fishing, fish stocks, seasons, tides, pollution and the changing coast, explained clearly and honestly. What do we know? What's changing? What does it mean for people who fish, eat seafood and love the sea?

Food & culture

What's in season, what to do with unfamiliar British species, where saltfish comes from and whether we could salt our own. Sustainable seafood through Caribbean, African and other food cultures.

Every day at the coast becomes a story: a recipe, a film, a conversation, a lesson. Warm, curious, and always ours.

People fishing together beside the coast

Hook Ups

A spotted fish held in two hands

Coastal knowledge

A communal table of fried fish, salad and baked dishes

Food & culture

We Are Black Fish circle logo

We Are Black Fish

Fishing leads us into the sea. The sea leads us into knowledge. The fish leads us into food and culture. And storytelling connects all of it.

Voice

The voice that helped change the way Britain sounds.

Brand voice for eBay. Google Pixel, Facebook, Barclays, ASOS, Channel 4 and more.

Music

Mercury Prize winner, 2009.

Explore the music →
Sunday Dinner On A Monday album coverTantil Before I Breathe album coverFreedom of Speech album coverSpeech Therapy album cover

Inside the book

Inside the book

The Wata

Water not as scenery but as a living presence, something to build a relationship with, listen to and learn from.

Ancestry

Fishing as an ancestral skill, carried by peoples across water and waiting to be reclaimed.

Healing

Trusting the process, breaking cycles, and learning to be present on the shoreline.

The Craft

Everything you need to start: equipment, knots, casting, tides, weather and safety.

Community

Stories from anglers, and how to build your own fishing community.

A hand holding a crab at the water's edge

The Wata

Speech Debelle biting a lily stem beside a cooking pot and orange lilies

The Craft

A yellow bucket on a pebble beach with anglers by the sea behind it

The Healing

Black Fish the Book

What if the wata is listening?

Black Fish: How to fish, and stories of the wata, kin & community

Black Fish is a book about fishing. It's also about what the wata holds.

Speech Debelle didn't pick up a rod until she was 33. What she found on the UK shoreline wasn't a hobby but a relationship: with the tide, with her own body, and with the wata itself, a presence she began to suspect might be aware of her too.

Part practical guide, part memoir, part conversation with seasoned anglers, Black Fish follows how our peoples have moved across water, fished it, survived it, and been pushed away from it. It asks what it means to return. To say all rivers, lakes and seas belong to me. To heal at the wata's edge, and to build community there.

And it will teach you to fish: kit, knots, casting, tides, weather, safety, and what to do when you finally get a bite.

For anyone who has stood at the edge of the sea and felt something look back.

Why wata

Why wata

I should say, there is a reason I've been (and will be) sometimes spelling water as 'wata'. I need there to be a separation between the Oxford Dictionary meaning of the word, and the spiritual and emotional value I am adding to its presence and form. To call it 'water' in the only language I can speak feels too sterile in evoking the latter – too small, and inconsequential when speaking of its importance to us. As though it's made up of only separate parts of our lives; droplets that come out of taps, fall randomly from the skies or live at our coastlines getting on with whatever it is meant to be getting on with. But 'wata' – the way it feels escaping the mouth – is more like a prayer.

Listen & read the opening

Listen & read the opening

The First Time I Fished

The first time I fished, I was 33. I like to imagine I was drawn to some kind of secret duality in the two repeating numbers, reminding me of two soldiers standing in arms facing the same direction, or two Notting Hill Carnival parade dancers connected to each other, locked into the rhythm and whine perfectly. A natural inclination to register patterns. A need to make sense of things.

Before then, or more specifically, at the age of 30, I did not know how to live in my own body. I'm still learning how. How to be in the present, without the anxiety of future social engagements and conversations that want to pull from a body still in its thawing process. Not yet knowing how to regulate my emotions, hitting seven, on the 0–10 internal meter, before I've even said a word. Leaving anyone clearly unaware by my stoic disposition of the implosion taking place. But this has been my work. If there were a karmic agreement I made before entering this life, I get the sneaking suspicion this work of being present was a key part of negotiations.

Over time I'm becoming more comfortable with how uncomfortable being open and in the present feels. No longer so anxious and on 10mg of Sertraline to temper a nervous system overly obsessed with what could happen, and without the need for continuous avoidance tools like Jameson Whiskey to numb the pain of what has happened.

Many days you can often catch me on the shoreline of the UK with two fishing rods facing the sky, for a time, concerned only with how high or low the sun is on the horizon. Or giving a nod of attention to the distance of the incoming tide and wondering whether I should move backward away from it now or give it another 30 minutes or so before re-shuffling my fishing gear. As though time is being represented by the movement of nature.

Fishing is one of the mechanisms I've discovered that not only grounds and centres me but reminds me of my ancestral connection to the wata and the healing it offers.

The Audiobook

The Audiobook

Read by the author. Hear Black Fish in Speech's own voice.

The Hardback

The Hardback

Published by Watkins, 2026.

For events, talks and press, get in touch.

Voice

The voice that helped change the way Britain sounds.

For decades, British advertising spoke in one voice: polished, distant, received pronunciation. Then brands started asking for something different. Conversational. Rhythmic. Real. A voice that sounded like a friend telling you a story, not an announcer selling you something.

Speech Debelle was at the front of that shift. A Mercury Prize-winning lyricist, she was one of the first to carry the cadence of UK rap and spoken word into mainstream advertising, and she proved that a South London voice, just as it is, could carry the weight of global tech brands and major banks.

The shift

The shift

From announcer to storyteller

Speech doesn't read scripts; she performs them, with the ear for rhythm and phrasing of a lyricist and writer.

Accent as authority

Her voice showed that a working-class London accent could front national and global campaigns, and that audiences trusted it more for its honesty.

Opening the door

Since her first campaign for H&M in 2018, poets, MCs and spoken-word artists have increasingly become the narrative voices of British advertising. Speech helped open that door.

Voice qualities

Voice qualities

Husky

Warm, low and close. It sounds like a conversation, not a sales pitch.

Lyrical

Two decades of writing and performing means every script lands with natural rhythm and pace.

Distinctive

Instantly recognisable, which is why eBay chose it as their brand voice.

Hear the reels

Commercial, documentary and character reels are available through Speech's agent, The Joneses.

Selected work

Selected work

Since her first campaign for H&M in 2018, Speech has voiced work for global brands, national initiatives, documentaries and more. Highlights include:

eBayGoogle PixelfacebookH&MbarclaysASOSMONCLERChannel 4
  • Global brands: Google Pixel · Facebook · H&M · eBay (brand voice)
  • UK campaigns: Barclays, the surreal "Moneyverse" campaign · ASOS, the "I Stand Out" diversity campaign · Moncler
  • National initiatives: Get Into Teaching · National Literacy
  • Documentary: Murder in the Alps (Channel 4)
  • Animation, VR & apps: Animation alongside Evanna Lynch · Virtual reality projects · Sleep stories for wellbeing apps

Represented by The Joneses. Contact Lizzie Doherty: lizzie@meetthejoneses.co.uk

Music

Where the storytelling began.

In 2009, Speech Debelle's debut album Speech Therapy won the Mercury Prize for British Album of the Year, beating Florence and the Machine, Kasabian and La Roux. Three more albums followed, each one honest, poetic and unmistakably hers. The music is where the voice, the writing and the storytelling all began.

Listen

Four albums, four songs

Sunday Dinner On A Monday

2023

"Atlantis"

Tantil Before I Breathe

2017

"The Work"

Freedom of Speech

2012

"Live For The Message"

Speech Therapy

2009 · Mercury Prize winner

"Spinnin'"

Explore the music →

In Development

Ideas taking shape.

I'm always building the next thing. These are the projects in motion right now, and the people I'm looking for to make them happen.

Speech Debelle in black and white, wearing a white sweatshirt and a fish ring

Black Fish - A Short Film

Stage
Pre-production · seeking investment
In place
Director · producer · Speech Debelle in the lead role · locations · narration from the audiobook
Looking for
Investors, film funds and grants, and brand partners who share the film's values

A short film

Black Fish

Releasing what was never hers to carry.

One day on the English coast. A woman, the water, and something she has carried for far too long. Black Fish brings the Penguin Random House book to the screen.

At its heart, Black Fish is about female rage and release: the anger a woman is taught to swallow, and what happens when she finally stops. Over one continuous day she gathers her gear, casts, catches, and sets out on a walk that becomes something else entirely, giving back to the water, on her own terms, a weight that was never hers.

  • Female rage and release
  • Coming back into the body
  • Ancestral connection to water
  • Reclaiming the British coast

Request the treatment

Tell us who you are and why this film speaks to you.

Every request is read personally. The treatment is shared at Speech's discretion and in confidence.

Mockup of The Work Brunch Season 2 cover art playing on a phone beside a coffee at a brunch table

The Work Brunch - Season 2

Stage
Development · guest longlist
In place
Speech Debelle as host, writer and voice · format · a longlist of guests
Looking for
A producer, an editor and a researcher, plus funders, platforms and brand partners who share the show's values

A podcast · Season 2

The Work Brunch

The work the rest of us never think to ask about.

In the first season of The Work Brunch, in 2017, we heard from artists and creatives about how they make their work. Guests included Lianne La Havas, singer-songwriter; Caleb Femi, Young People's Laureate for London; Jaja Soze, rapper and former gang leader turned social activist; Eg White, multi-award-winning songwriter and composer; and more.

Season 2 turns the same curiosity on people entirely outside that world, whose consequential work often goes unseen.

The question isn't what the work takes from them. It's what it means to be called to something most people would look away from, and to keep choosing it. Each episode opens on a scene written and voiced by Speech, then hands over to the real person in their own words.

  • Invisible work
  • Devotion and calling
  • Authored storytelling
  • Outdoor and coastal access

Request the pitch

Tell us who you are and why this show speaks to you.

Every request is read personally. The pitch is shared at Speech's discretion and in confidence.

Portrait of Corynne Elliott seated in a chair

Corynne Elliott

Speech Debelle

About

Speech Debelle has always been a storyteller. She's just changed the medium.

Born Corynne Elliott and raised in South London, she first came to national attention in 2009 when her debut album Speech Therapy won the Mercury Prize for British Album of the Year. Three more acclaimed albums followed, along with a reputation for honest, vulnerable writing delivered in an unmistakable voice.

In 2012 she presented Britain's Hidden Homeless for BBC Three, a documentary about young people who are homeless but never counted: sofa-surfing, sleeping rough or living in temporary hostels. Speech returned to the hostel she had lived in ten years earlier, after leaving home, and shared how that time shaped the lyrics of her award-winning music.

Her voice went on to change the sound of British advertising. Since her first campaign for H&M in 2018, Speech has been at the forefront of the move away from polished announcers towards real, rhythmic, conversational voices. She is the brand voice for eBay and has voiced campaigns for Google Pixel, Facebook, Barclays and ASOS, national initiatives including Get Into Teaching, the Channel 4 documentary Murder in the Alps, VR projects, sleep stories, and animation alongside Evanna Lynch.

Over the years she has followed her curiosity wherever it led: reaching the semi-finals of Celebrity MasterChef, hosting the food-and-music podcast The Work Brunch, publishing a cookbook-memoir, and spending three years at Arts Council England, where she led the Black Influencers Masterclass and Programme to open up funding for Black and Brown creatives.

Then she found the water. Speech first picked up a rod at 33, while learning how to be present in her own body and mind. On the UK shoreline, watching the tide and the height of the sun, she found a practice that grounded her and reconnected her with an ancestral relationship to the wata. That led her to co-found We Are Black Fish, a UK community celebrating that connection and growing into a BIPOC voice for the British coast. Today she is training as a volunteer watchkeeper with the National Coastwatch Institution, keeping watch over the coastline and alerting HM Coastguard when people get into trouble at sea.

Her book, Black Fish: How to fish, and stories of the wata, kin & community (Watkins, 2026), brings it all together: a practical guide to fishing, a memoir and a meditation on healing and belonging.

Contact

Get in touch.

Voice over bookings: Lizzie Doherty, The Joneses — lizzie@meetthejoneses.co.uk

Book, film & TV: OWN IT! Agency — Agency@OWNIT.London

We Are Black Fish: hello@weareblackfish.com

Everything else: contact@speechdebelle.com